Tag: Jeannie Cho Lee

Jeannie Cho Lee MW becomes Wine Lister’s fourth partner critic

We are thrilled to announce the addition of Jeannie Cho Lee MW as Wine Lister’s fourth partner critic, representing the Asian market.

Wine Lister gathers data from multiple sources to assess thousands of wines on a truly holistic basis. Scores are made up of three main categories: Quality, Brand, and Economics. Critic ratings form a vital part of the Quality category, providing reliable scores and drinking window information.

Jeannie Cho Lee is an independent wine critic, a university professor, and an award-winning author who in 2008 was the first Asian to become a Master of Wine. Based in Hong Kong, she writes about wine on her website, www.jeanniecholee.com, and has also published several books, including Asian Palate.

Adding to our unique collaborations with three of the most reputable wine critics in the world’s major fine wine markets – Jancis Robinson (UK), Antonio Galloni (Vinous) (USA), and Bettane+Desseauve (France) – we are delighted to welcome Jeannie Cho Lee to represent the key Asian fine wine market. This careful addition will help us in our goal of providing ever more reliable and accurate ratings and analysis, while crucially maintaining the high standards of this elite pool of critics. Jeannie Cho Lee’s scores have been added to those of our existing partner critics, and fed into Wine Lister’s bespoke algorithm to produce a Quality score out of 1,000 points. Wine Lister takes each critic’s minimum and maximum wine ratings and spreads these back out over the entire scale. As each wine critic scores differently (not just on a different scale), we also account for the frequency of ratings and normalise scores for fair comparison. Each critic is weighted equally.

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You may notice that some scores have changed for wines that have not been rated by Jeannie. In order to meet our goal of having the most comprehensive and up-to-date information, and the most rigorous rating algorithm, we have increased the sample set of scores upon which we carry out the normalisation between critics. This now includes the 18 months’ worth of new critic scores since our launch.